COLOSSAL

Gloria likes to drink frequently and copiously. When her boyfriend leaves her and throws her out of their shared apartment at the same time, she ends up staying with Oscar, who also gets her a job at his bar. Several crashes later, Gloria wakes up with a hangover on a playground and later learns that a kaiju, a gigantic monster, is just stomping through Seoul. It takes some time, at least as long as it takes to get sober, but Gloria eventually realizes she is somehow connected to this monster and even its movements correspond to hers. It gets complicated when she divulges her mysterious link with the kaiju to Oscar, who naturally storms out to the playground himself and makes a huge mecha-robot appear. It is safe to say, not even in Seoul is there enough room for two giants. With COLOSSAL the Spanish genre cinema innovator Nacho Vigalondo has made an adorable and quite spectacular fantasy-allegory about what happens when we all give our inner monsters free rein. Note: it’s expensive. After spending her talent in various Hollywood commodities, Anne Hathaway clearly enjoys not only being cast against the grain, but also even embodying a kaiju. Very, very beautiful!
Nacho Vigalondo (*1977 in Cabezón de la Sal, Spanien) hat in seiner bisherigen Karriere schon mehr als 80 Preise gewonnen. Bereits sein Langfilm-Debüt TIMECRIMES (2007) erregte internationales Aufsehen beim Fantastic Fest in Austin, TX, 2008, wo der Film als bester Spielfilm ausgezeichnet wurde. Nach EXTRATERRESTRIAL (2011) folgte OPEN WINDOWS (2014), der bei zahlreichen Festivals gezeigt wurde und für einen Goya in der Kategorie „Beste Spezialeffekte“ nominiert war. COLOSSAL feierte seine Weltpremiere beim Toronto International Film Festival 2016.
Sa, 30.09. | 20:30 – Filmcasino
Für diese Vorstellung gibt es keine Online-Tickets mehr. Möglicherweise gibt es noch Karten im Filmcasino. Wartelistenplätze für Restkarten werden eine Stunde vor Vorstellungsbeginn ausgegeben.
So, 1.10. | 20:30 – Filmcasino



